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One of the most popular and widely recognized female country singers of her era, Crystal Gayle supported her trademark, nearly floor-length hair with a supple voice, a flair for ballads, and a crossover-friendly country-pop style that netted her the occasional mainstream hit.

Gayle’s debut single was 1970′s “I’ve Cried (The Blues Right Out of My Eyes)”; done in a style very similar to Lynn’s, it reached the country Top 40. Far from encouraging Gayle to develop her own style, Decca pushed for more “little Loretta” records, and Lynn actually wrote some of her early singles. Unfortunately, this approach failed to establish Gayle in her own right, even with regular appearances on Jim Ed Brown’s television show The Country Place. Frustrated, she parted ways with Decca and signed with United Artists in 1974, where she was teamed with producer Allen Reynolds. Reynolds offered Gayle the creative freedom she wanted, and she began to experiment with her style and phrasing en route to her own distinctive approach. Her first-ever album, titled simply Crystal Gayle, was released in 1974, and the following year she landed her first Top Ten country hit, “Wrong Road Again.” In 1976, “I’ll Get Over You” became the first of her 17 number one country singles. Reynolds, feeling that Gayle was poised for a larger breakthrough, encouraged her to record the jazz-flavored pop ballad “Don’t It Make My Brown Eyes Blue,” which he felt sure had crossover potential. He was right — not only did the song hit number one on the country charts in 1977, it also climbed to number two on the pop side, garnered substantial international airplay, and won Gayle a Grammy for Best Female Country Vocal. Plus, the accompanying album, We Must Believe in Magic, became the first by a female country artist ever to go platinum.

Now a bona fide star, Gayle followed her breakthrough success with a string of hits that lasted for approximately the next decade. Before the ’70s closed, she scored several more number one country hits: “You Never Miss a Real Good Thing (‘Til He Says Goodbye)” (1977), “Ready for the Times to Get Better” (1978), “Talking in Your Sleep” (1978; also a pop Top 20 hit), and “Why Have You Left the One You Left Me For” (1979); plus, 1979’s “Half the Way,” her first single for new label Columbia, was a number two country hit and also reached the pop Top 20. She kept on scoring as the ’80s dawned; 1980 brought two chart-toppers in “If You Ever Change Your Mind” and “It’s Like We Never Said Goodbye,” 1981 another in “Too Many Lovers,” and 1982 her first number one duet, “You and I,” which was recorded with Eddie Rabbitt and became her second Top Ten pop hit (it also inaugurated her tenure with Elektra/Warner). Gayle hit number one three times in 1983 (“Baby, What About You,” Rodney Crowell’s “Til I Gain Control Again,” “Our Love Is on the Faultline”) and twice more in 1984 (“The Sound of Goodbye,” “Turning Away”), and began to cross over to the adult contemporary charts with regularity as well.

Here is her record smashing hit “Don’t It Make My Brown Eyes Blue” performed live:

Other talented ladies who paved the way to make country music what it is today 👇